Review: For the End of Time

By now, it should be abundantly clear to everyone who knows me that I am hopeless Messiaen trash. So when I stumbled on Rebecca Rischin’s For the End of Time, an account of the composition and première of Olivier Messiaen’s Quatuor pour la fin du Temps (Quartet for the end of Time), I knew I had to read it. It showed up under the tree for Christmas (thanks Mom and Dad!), I cracked it open eagerly, and . . . it was a very uneven ride.

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Music Monday: Eckhardt-Gramatté: Bassoon Concerto

Christened Sofia Fridman-Kochevskaya, Sophie-Carmen Eckhardt-Gramatté was born in Moscow in 1899 to a rather well-off family (her mother worked as a governess in Leo Tolstoy’s household), but she didn’t live there long. Her family moved to a commune in England, and Eckhardt-Grammaté entered the Paris Conservatoire at the age of eight to study violin and piano. She had already made her public debuts in Berlin and Paris by the age of eleven, frequently playing both instruments on the same concert program. She was already interested in composition, but her teachers at the Conservatoire discouraged her from pursuing that path, presumably because sexism.

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