Music Monday: Wilson: Expansions III

When asked in a 1991 interview with Bruce Duffie if his music was in some way specifically African-American, Olly Wilson Jr responded that “because [his] experience has been an African-American experience” his music necessarily reflects that, “[b]ut that is a very, very complicated kind of thing” and “there may not be discernible aspects of that music that you say, ‘Aha, that’s clearly from African American tradition.’”. So those seeing his name on a program of African-American composers and hoping for a jazz- or gospel-infused escapade are bound for disappointment.

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Music Monday: Coleridge-Taylor: Quintet

On or around his fifth birthday, Coleridge-Taylor began playing the violin, and by the age of 15, he had enrolled in the Royal Conservatory to continue his studies. Two years into a projected three-year program, he switched from violin to composition, working under Charles Villiers Stanford. The older composer was quickly impressed with Coleridge-Taylor’s abilities, declaring him one of his two most brilliant students — no mean praise considering he also taught Frank Bridge, Herbert Howells, Gustav Holst, and Ralph Vaughan Williams!

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